Artist's
Biography
The natural
world has provided a rich and exciting pallet for Mike's African
Wildlife Art during his journeys to over 20 countries in four
continents.
The South African bush was the spark that ignited his serious
painting in 1985 and, after visits to the Kalahari Desert,
he became totally intoxicated by the African bushveld and
those famed hunters, the Bushmen, who were to become his passion
for fifteen years. A deep interest in the relationship between
man and the environment was to emerge over this period, as
was a concern for the many African endangered animals.
On his return to the UK in 2000, it was inevitable that Mike
would be drawn to Scotland's diverse flora and fauna, rich
landscape and large unspoiled tracts. Different from Africa
in many respects, there are still a great many similarities.
Difficult to explain but probably best described as "A
closeness with the Earth".
Mike naturally gravitated towards the Raptors of the Scottish
highlands, amongst many endangered animals who fortunately
have a strong support base responsible for protection of wildlife
and some great successes in the re-introduction of extinct
species.
Scotland's
history, culture, artists and industry, however, provide totally
new dimensions to work with, encouraging the use of different
mediums and approaches to his art. So much diversity required
a new centre of focus, which the Tay river has handsomely
provided.
Handsome
is an apt word to describe this river, which rewards with
ample material for wildlife art, views both stunning and tranquill,
a history central to & as old as Scotland itself and the
source of industrial and cultural revolutions that have helped
to shape the world. |
A
Little History
Born in England in 1949, his family soon moved to Calgary,
Canada, where his formative years were spent close to nature
and the Native Americans.
Joining the Royal Air Force after his schooling ensured his
travels continued through Europe. A period in the Middle East
after the RAF added a different flavour and yet another country
to a final tally of 7 where he has lived and worked.
Southern Africa became his home for 27 years. Undoubtedly
a land of intrigue and extremes, this was a place where he
felt a kinship with the people and concern for the environment.
His pictures, a subtle fusion of Watercolor paintings and
Pencil, had always been more than a visual creation. He embodied
in them deeper emotions and feelings for a people deserving
greater respect from the modern world.
His recent return to Scotland in 2000 was marked by dramatic
changes. A need to get "close" to nature meant many
glorious hours travelling the breadth (but not yet the length)
of this beautiful country, and developing new ways of portraying
the many facets of Scottish history, culture, landscape and
wildlife.
Completely self taught, Mike's painting is refreshingly different
. Working on new subjects and media in his Scottish studio,
he frequently returns to African wildlife art to "feed
the soul" and frequently reconnects with the fellow artists
over there. Although embracing his new country, the African
roots are very strong and he has no great desire to shake
that dust from his boots.
Much of his art has been published in Corporate calendars,
cards and magazines. Paintings can be found in many corporate
collections including First National Bank Headquarters - Johannesburg,
Mercedes Benz - Pretoria, Siemens - Johannesburg, Mannesman
Demag - Johannesburg, Wits University, University of Cape
Town, South African Embassies (including Dublin and Nairobi)
and private collections spanning 25 countries. |
Exhibitions
Active in
South African society and group exhibitions from 1983 to 1999
in Johannesburg, Pretoria , Pietermaritzburg, Durban and Cape
Town.
Joint: (Art Exhibition Organizer
& participant) QE2 Return to SA - International Terminal,
Durban 1991 with artists Brian Scott- Dawkins, Doug Grey, Hargreaves
Ntakwana, Shirley Geere. Because of Apartheid, the QE2 had
not touched South African shores for many years. This was its
first return after a very long absence.
Joint : (Art Exhibition
Organizer) CMMI Conference - Sun City 1994 with artists Brian
Scott-Dawkins, Fiona Rowett and Anthony Perkins.
Solo : Grahamstown Arts
Festival July 1995
Joint: Grahamstown Arts
Festival 1996 - with artists Peter Sibeko and Alphen Ntimbane
Active in group exhibitions - "Artay" Perth Festival
of Arts 2002/2003 and the Game Conservation Fair - Scone Palace
2003 |
Publications
"African
Wildlife" The SA Wildlife Society Magazine - 6 paintings
during 1988
"The San - People from a Past Age" - 1987. Corporate
calendar published by Impact Publishing. Corporate
Calendars published by Associated
Industries (SA) including
- 'African
Legacy' - 1996. A look at the evidence , range and
history of Bushmen cultures throughout Africa from
the basis of Rock Art records. All research, artwork
& text by the artist.
- 'African
Tales' - 1998. A series of African Legends, researched
and illustrated by the Artist. Mike wrote the text
as well for this very successful calendar.
- 'Survivors
of the Millenium' - 2000. Looking at Wildlife survivors
and their unusual and unique characteristics. All
artwork, research & text by Mike Elliott
- The
Shepherds Tree - 2004. Birdlife in the
Kalahari revolving around this valuable desert tree
taken from a Bushman's perspective. All artwork, research
and text by Mike Elliott
- Sound
of Africa 2004. African Musical Instruments.
A series of drawings to accompany photographs of traditional
African musical instruments. Artwork, research and
text by Mike Elliott
|
CMMI Conference
Affiliates Program - Compilation with his Artwork and the work
of other artists. September 1994 |
Collections
Alutrade
First National Bank (Bank City HQ, Johannesburg)
Mannesmann Demag (Johannesburg)
Mercedes Benz (Pretoria)
Rand Water Board
South African Air Force (50th Anniversary presentation by Altech)
South African Embassies in
- New
Delhi
- Nairobi
- Geneva
&
- Dublin
|
United Artists
(Johannesburg)
University of Cape Town
University of the Witwatersrand |
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